![]() ![]() red), and pin five to pin five on the other core (eg. Pins four and five should be connected each to one of the cores, and should be wired pin-to-pin: that is, pin four to pin four on the same core (eg. Pins one and three (the outside pins) are not used for MIDI interconnections, and it is best to leave them not connected. ![]() The shells of the plugs should not be connected to the screen of the cable. The screen (shield) should be connected to pin two (the middle pin) at both ends. For studio or performance use we recommend the use of robust die-cast plugs, as these will survive being stepped upon. On each end, the cable should have a five pin 180° (sometimes alternatively designated 45°) male DIN plug. Proper MIDI cables are, however, to be preferred. Ordinary decent microphone cable generally makes satisfactory MIDI cables.įor short runs, up to about 2m, you may very well get away with other cable, such as a tape recorder (that is, NOT reversal, mirror, or cross-connected) stereo DIN to DIN audio lead. Lapped screen cable is not recommended, as it provides inferior screening at high frequencies, and is often not robust if flexed. ![]() Cable with a braided screen is to be preferred for flexible interconnections, while foil screened cable provides good screening and is recommended for permanent wiring. The cable for MIDI should be screened twisted pair. The maximum length of a standard MIDI cable is given as 15m (50 ft). ![]()
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